天主教、巫术和酷儿欲望在 3D 动画场景中相互碰撞。 在这个临界空间中，语言慢慢展开，并悬于欲望与传统、温柔与暴力之间。

The CINETECA NACIONAL DE CHILE will organise an extensive program within the framework of the Day of the audiovisual heritage. The main event will be the screening of the restored film "El Cuerpo y la Sangre", by Rafael Sanchez (1962), on the evening of 27th October 2006. 　　Rafael Sanchez has been an important figure of the CINETECA NACIONAL. He has been active as film maker, teacher and founder of the Film Institute of the Catholic University of Santiago, in 1955. As a documentarist, he has made more than 30 documentaries between the 50's and the 80's.

亚努什并不是一个容易被惊吓的男人。作为一个法医他进行精密的研究，分析每分钟的犯罪场景。尽管这种极端的场面让他抗拒，但他仍然努力工作。也许太努力了。面对他患有厌食症的女儿，仍旧处于母逝悲痛之中的奥尔加，感到无能为力。因害怕女儿自杀，亚努什将她送到精神病医生安娜的诊所治疗。多年前，安娜失去了她的孩子，现在和他的狗独自住在一所偏远的公寓里，与世隔绝，并与逝去的亡灵沟通… 　　玛高扎塔•施莫夫兹卡以带有黑色喜剧元素的作品去讲述人们遭遇到的困难，在失去所爱人之后挣扎面对的痛苦。电影展示了人们对亲密关系的恐惧与渴望。因为精神上的痛苦，妄图从秘密中逃离的自我伤害。在理性和对超自然宇宙信仰之间的冲突，以及心在孤独之中纷繁的冥想。

影片探讨了我们如何理解自己的身体，以及“酷儿化”身体的方式，并探讨了在媒介空间中探索身份的表演性。该作品挑战了常规的人际身体接触的至上性，通过人-物-虚拟的混合互动，提出了关于亲密与交流的另类形式。作品中使用自我监控作为创作和存在的策略，这对于理解当代身体体验至关重要。镜头、摄像机、作为电子镜和监视器的视频、扫描仪、生成式AI和动作捕捉技术共同构建了身份的表演——我们作为“混合体”的身份以及如何利用自我意识与位置。通过创作这部作品，我们意图打破稳定身体的霸权，以寻找更大潜力。通过“打破”软件和硬件的既定规范，揭示创作工具，我们打开了新的规则和叙事的可能性。未来无疑属于酷儿，这将是场盛大的派对。 　　"Body-oddy-oddy-oddy: Destabilizing the Surveilling of Queer Bodies" explores the nature of how we understand our bodies, the ways in which we “queer” the body, and performative nature of how we explore our identities in mediated space. The work challenges the supremacy of normative human body-to-body contact, by exploring the role that a hybrid human-object-virtual encounter might pose for alternative forms of intimacy and exchange. The use of self-surveillance as a strategy of making and being is critical to our understanding of contemporary bodily experiences in the piece. The lens, the camera, video as both electronic mirror and surveyor, the scanner, generative A.I., and motion capture technology construct the performance of identity—who we are as hybrids and how we exploit our self-awareness and positions. 　　Through the act of making this work, we aim to disrupt the hegemony of stable bodies in search of what might be greater potential. “Breaking” the intentions of the software and hardware specifications, and revealing the tools of its making, we blast open possibility for new rules and new narratives. The future is undoubtedly queer, and it’s one hell of a party.

米奇和戴夫在一起长大，曾经是最要好的朋友。在一起时间长了，两个人难免会在脾气、性格上有些相似。随着时间的逝去，好朋友也会有自己的生活而疏于联系，所以在成年后，米奇和戴夫简直成了截然不同的两个人。　　戴夫现在是一个工作勤勉的律师，一个好丈夫和几个孩子的爹；而米奇则依然单身，工作不稳定，年龄不小了却还孩子气十足，从来不为明天考虑，整日和漂亮姑娘厮混。在戴夫的眼里，米奇拥有他所幻想的一切：高薪的工作、极为崇高的社会地位、漂亮的对他崇拜有加的老婆、完满的家庭和和谐的生活。可是在米奇看来，戴夫的那种无忧无虑、没有负担和责任的生活才是“梦想中”的完美。　　在一个喝得醉醺醺的晚上，两个人对生活大发感慨。在许愿喷泉和女神下尿尿的时候，他们不禁说出了“我想要你的生活”的愿望。结果第二天早上起来，戴夫和米奇互换了身体。　　有了负担的米奇和丢掉了负担的戴夫对这种互换的生活一开始还觉得很新鲜，但是渐渐地，他们才发现对方的生活并没有表面上看起来那么光鲜亮丽。三个孩子的确很烦，单身生活也并非那么有趣。在律师事务所里，漂亮性感的女同事赛伯瑞纳频频向住在米奇身体里的戴夫示好；而与米奇长期分居的老父亲现在又重出江湖，跑来和儿子“捣蛋”，这弄得变成了单身汉的戴夫焦头烂额。　　互换了身体的戴夫和米奇都在小心翼翼地过着他人的生活，生怕自己的愚蠢和以往的性格将好朋友的生活毁于一旦。与此同时，他们还要努力地找到把身体换回来的办法。

森崎明日香在校园里遇到一个说着“请帮我找身体”的小女孩。午夜零点，明日香回过神来发现自己和其他关系疏远的5名同班同学置身于学校，被突然出现的“红色的人”杀死，睁眼发现自己又回到了7月5日早晨。如果找不到小女孩的“身体”，7月5日的循环将不会结束……

In a future where human memory is recorded on cards and biomechanical bodies are replaced by biological ones, anyone can change appearance following their mood, as long as they can afford it. But people who can not continue to rent their expensive bodies and are forced to abandon them. This is what threatens Emma Beaufort.

In a future where human memory is recorded on cards and biomechanical bodies are replaced by biological ones, anyone can change appearance following their mood, as long as they can afford it. But people who can not continue to rent their expensive bodies and are forced to abandon them. This is what threatens Emma Beaufort.

Manuel and Lupe want to have a baby. When Manuel discovers he is infertile, he starts to fall apart both physically and emotionally. After exploring several options, Manuel turns to Rubén, his new friend, to act as their donor. In return, Rubén asks to stay for a few days at Manuel and Lupe’s, promising to leave soon for the States. His presence will change everything, and Manuel’s dream of being a father will end in his own exile.

Manuel and Lupe want to have a baby. When Manuel discovers he is infertile, he starts to fall apart both physically and emotionally. After exploring several options, Manuel turns to Rubén, his new friend, to act as their donor. In return, Rubén asks to stay for a few days at Manuel and Lupe’s, promising to leave soon for the States. His presence will change everything, and Manuel’s dream of being a father will end in his own exile.